Friday, August 21, 2020

The Stranger Cultural Analysis Essay -- Literary Analysis

This Novel, by Albert Camus, follows a year in the life of a youthful representative, Meursault, during the 1940s who works for a transportation organization in Algiers. The main thing that happens to Meursault is that he gets a message that his mom has left. He takes a transport to see her and they hold the vigil. He shows no outflow of regret or trouble. Once back in Algiers Meursault goes to the open sea shore for a dip. There, he runs into Marie Cardona, his previous associate. They choose to go out on the town and they see a parody film, which is amusing after his mother’s passing, and they rest together during the night. The following day he spends simply watching individuals in the road. That following day Meursault comes back to work and works the entire day and keeping in mind that at his loft Meursault runs into Salamano, an elderly person who lives in his structure and possesses a filthy canine. He likewise runs into his neighbor Raymond, who is suspected to be a pi mp. Raymond welcomes Meursault to supper and asks Meursault to compose a terrible letter to this young lady who undermined Raymond, and Meursault goes along. The following Saturday Marie comes over and inquires as to whether Meursault adores her, he doesn’t love her and doesn’t show it, and around evening time Meursault runs into Salamano who is crying over his canine who fled. The next Sunday Meursault, Marie, and Raymond go to a sea shore house claimed by Masson, one of Raymonds companions. They run into the girl’s, of whom they composed the letter to, siblings and a blade is pulled on Raymond and cuts him. The two of them go various ways and later Meursault shoots one of the girl’s siblings. Meursault is then sent to prison and put being investigated. He shows no regret and over the long haul he experiences more preliminaries subsequent to being in jail for longer than a year and he is condemned to death by the guillotine. The setting... ... has done, and to liberate him from his trap. Works Cited Bufacchi, Vittorio, and Laura Fairrie. Execution as Torture. Peace Review 13.4 (2001): 511-517. Scholarly Search Premier. EBSCO. Web. 26 Apr. 2011. Camus, Albert, and Matthew Ward. The Stranger. New York: Knopf, 1993. Print. 24 Apr. 2011. de Cavarlay, Bruno Aubusson. Will criminal insights despite everything be of logical use? The French criminal equity framework 1813-1980. Historical Methods 26.2 (1993): 69. Scholarly Search Premier. EBSCO. Web. 26 Apr. 2011. Scherr, Arthur. Camus' THE STRANGER. Explicator 59.3 (2001): 149. Scholarly Search Premier. EBSCO. Web. 24 Apr. 2011. Scott, Nathan A. Albert Camus. New York: Hillary House, 1962. Scholarly Search Premier. EBSCO. Web. 24 Apr. 2011. Peculiar, Alice J. Camus' The Stranger. Explicator 56.1 (1997): 36. Scholarly Search Premier. EBSCO. Web. 24 Apr. 2011.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.